
eShop USA > Music > Kaija Saariaho: Du Cristal...À la Fumée; Sept Papillons, Nymphéa
Kaija Saariaho: Du Cristal...À la Fumée; Sept Papillons, Nymphéa
Our Price: $17.98 Prices subject to change.
Availability: Usually ships in 24 hours
Binding: Audio CD
EAN: 0761195104729
Label: Ondine
Manufacturer: Ondine
Number Of Discs: 1
Publisher: Ondine
Release Date: August 24, 2004
Studio: Ondine
Related Items: Featured Listmania!
Customer Reviews
Average Rating: 
Rating: - Capturing the Sounds of Space and Water and Clouds
Kaija Saariaho continues to enhance our contemporary music scene with compositions that incorporate the finest of orchestration of traditional instruments combined with the still nascent classical music manipulations of electronic music. Few do this as well as she.
'Du Cristal...À la Fumée' are separate works in time but play so beautifully together they seem to be a continuum. There are wondrous masses of sound created by closely spacing pitches within orchestral choirs, a technique ... Read More
Rating: - Music of great beauty and a fine introduction to Saariaho
The several pieces by Kaija Saariaho on this Ondine reissue were written mainly in the early 1990s, when she was still concerned with timbre--recent Saariaho is more melodically inclined, with disappointing results. Each is performed by an all-star lineup, with Salonen leading the Los Angeles Philharmonic on the two orchestral pieces, Kronos Quartet on "Nymphea", and great Finnish cellist Anssi Kartunnen performing "Sept Papillions" (just one of the several works Saariaho wrote with him in mind).
Read More
Rating: - from crystal into smoke...
Though Saariaho studied computer composition technology at Boulez's IRCAM, her music sounds more like Ligeti than Boulez. In fact, "Du cristal" sounds quite a bit like "Atmospheres," a static piece of shifting, dissonant chords. Rolling, pounding tympani and bells give it a richer texture than Ligeti's sparse and eerie works from the early 1960s. The monolithic blocks of sound and crescendos also reflect the rough-hewn aesthetic of Xenakis. The second part of the diptych, "...a la fumee," is the high ... Read More
Related Categories:
| |
 |