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Whitney Biennial: 2000 Exhibition (Whitney Biennial)


Whitney Biennial: 2000 Exhibition (Whitney Biennial)  
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Binding: Paperback
Dewey Decimal Number: 709.730747471
EAN: 9780810968295
ISBN: 0810968290
Label: Whitney Museum of Art
Manufacturer: Whitney Museum of Art
Number Of Items: 1
Number Of Pages: 272
Publication Date: 2000-03
Publisher: Whitney Museum of Art
Studio: Whitney Museum of Art


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Editorial Review:
A Whitney Museum of American Art Book Since 1932, the Whitney Museum's Biennial Exhibitions have counted among the milestones in the history of American art and have played a leading role in presenting vanguard developments in art to the general public. Countless prominent artists have made their museum debut at these diverse surveys of painting, sculpture, works on paper, film and video, performance, and installation.
For the eagerly awaited first Biennial of the new millennium, the Whitney has assembled a versatile team of curators from around the nation to select and invite the participating artists. Once again, the Whitney will help to establish a critical perspective on the latest creative achievements by American artists.
250 illustrations, 150 in full color, 9 x 10 1/2"
MAXWELL L. ANDERSON is director of the Whitney Museum of American Art, New York; MICHAEL G. AUPING is chief curator, Modern Art Museum of Fort Worth; VALERIE CASSEL is director of the Visiting Artists Program, School of the Art Institute of Chicago; HUGH DAVIES is director, Museum of Contemporary Art, San Diego; JANE FARVER is director of the List Visual Arts Center at MIT, Cambridge, Massachusetts; ANDREA MILLER-KELLER is an independent curator based in Hartford, Connecticut; and LAWRENCE R. RINDER is director, CCAC Institute, California College of Arts and Crafts, San Francisco and Oakland.
EXHIBITION SCHEDULE Whitney Museum of American Art, New YorkMar. 23-June 4, 2000

Customer Reviews
Average Rating:  out of 5 stars

Rating:  out of 5 stars - The Whitney Biennial catalog you have to have
The Whitney Biennial is the kind of exhibition that critics love to hate.My recommendation is to ignore thae critics, see it for yourself and buy the catalog. This is a great book for those who love contemporary art. The essays on the exhibition and on the individual artist are informative and well written. The plates are also great.


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