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Black & White
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Binding: Hardcover
Dewey Decimal Number: 813.54
EAN: 9780375415487
ISBN: 0375415483
Label: Knopf
Manufacturer: Knopf
Number Of Items: 1
Number Of Pages: 272
Publication Date: April 03, 2007
Publisher: Knopf
Release Date: April 03, 2007
Studio: Knopf
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Editorial Review:
In Dani Shapiro's captivating new novel, a mother struggles to protect her young daughter from the dark secrets of her past. Haunting and insightful, Black & White explores the notions of family and motherhood, inspiration and obligation, and is sure to appeal to fans of Jodi Picoult and Anita Shreve. Find out more about Shapiro's artistic practices and influences below. --Daphne Durham
10 Second Interview: A Few Words with Dani Shapiro Q: What is your writing process like? Has it changed from book to book?
A: As I was doing my usual flailing around before I began to write Black & White, I found that I had some questions in mind that I hoped to explore, if not answer--and those questions very much came out of my preoccupations as a writer and as a mother of a young child: is it possible to be as fully absorbed as one needs to be to produce good, strong art--and be equally fully absorbed in the raising of small children? What happens when that delicate balancing act teeters? And also, as someone who has written quite a bit of personal non-fiction, I wondered: where is the line--or perhaps it's less of a line and more of a murky gray area--when it comes to writing about the personal stuff when there's this little person who's involved, a person who will grow up and read it some day? These ideas began to really preoccupy me, and finally the novel started to form itself around them.
When I begin the first draft of a book, I write longhand. I've become quite attached to these particular spiral-bound notebooks that can only be purchased in my in-laws' hometown, and so whenever they come to visit I ask them to bring me a pile. I think most writers indulge in magical thinking when it comes to the process, and many of us require talismans; mine are these notebooks. I used to only write on the computer, but I've found, in the last number of years, that I feel much freer to have no idea where I'm going when I'm writing by hand. There's something very neat--perhaps too neat--about the blank computer screen, and the ease of cutting and pasting, moving whole blocks of text around. For me, it's infinitely more satisfying to scribble and cross things out and make big sweeping arrows and asterisks as I'm working on drafts. It looks messy and complicated--it looks like what it is. On those early pages I feel like I can see a map, or a diagram, of my process. Q: What author/s have inspired you?
A: In the big, enduring ways, as a literary backbone: Tolstoy, George Eliot, Virginia Woolf, Philip Roth, Joan Didion, Saul Bellow, Grace Paley. And while I was writing Black & White, Alice Munro's stories in Runaway and Ian McEwan's novel Saturday were immensely important in my grappling with understanding how to create a close third person narrative without losing the periphery. Q: What are you working on now?
A: I'm trying to start a new novel. Viriginia Woolf wrote this great passage in her diary, after she finished The Waves: "I must hastily provide my mind with something else, or it will again become pecking and wretched." I'm a much nicer person when I'm working on a book. When I begin I have so little to go on--a feeling, a sense, an image or two. It's like coaxing shadows out of the corners.
From the author of Family History (“Poised, absorbing . . . a bona fide page turner”—The New York Times Book Review) and the best-selling memoir Slow Motion, a spellbinding novel about art, fame, ambition, and family that explores a provocative question: Is it possible for a mother to be true to herself and true to her children at the same time?Clara Brodeur has spent her entire adult life pulling herself away from her famous mother, the renowned and controversial photographer Ruth Dunne, whose towering reputation rests on the unsettling nude portraits she took of her young daughter from the ages of three to fourteen. The Clara Series, which graced the walls of museums around the world as well as the pages of New York City tabloids that labeled the work pornographic, cast a long and inescapable shadow over its subject. At eighteen, when Clara might have entered university and begun to shape an identity beyond her sensationalized, unsought role in the New York art world, she fled to the quiet obscurity of small-town Maine, where she married and had a child, a daughter whom she has tried to shield from the central facts of her early life and her damaging role as her mother’s muse.Fourteen years later, Ruth Dunne is dying, and Clara is summoned to her bedside. Despite her anguish and ambivalence about confronting a family life she has repressed and denied for more than a decade, Clara returns. She finds Ruth surrounded, even in her illness, by worshipful interns, protective assistants, and her conniving art dealer.Once again, she is Clara Dunne, the object of curiosity, the girl in the photos. Except this time she has her own daughter to think about—a girl who at nine looks strikingly like the girl in Ruth’s photos—and she yearns to protect her, to insulate her from the exposure that will inevitably result when her two worlds, New York and Maine, collide.As Clara charts a path connecting her childhood with her adult life, Shapiro’s novel weaves together past and present in images as stark and intense as the photographs that tore the Dunnes apart. A brilliant examination of motherhood—a novel that pits artistic inspiration against maternal obligation and asks whether the two can ever be fully reconciled—Black & White explores the limits and duties of family loyalties, and even of love. Gripping, haunting, psychologically complex, this is Shapiro at her captivating best.
Customer Reviews
Average Rating: 
Rating:  - this novel is not black and white!
Loved the storyline and the many different emotions it uncovered yet I felt the characters lacked some development. There are so many issues this story touches on...sisters, marriages, exploitation, pornography, age of reason, etc that I thought if this were a book club book, we'd have to make it an extra long discussion.
As I said in my title, I loved the play on words in the book title, b/c all though the photos were in black and white...this story is positively grey on ethics.
Rating:  - Creepy but good
This idea that D.Shapiro created was very creepy in my opinion but how the story unravells was great. I really enjoyed this book very much in a dark kind of way, but couldn't put it down. I put myself in this girl's shoes and felt very emotional about the whole picture thing. If a book can make me feel like that than I would recommend it.
Rating:  - Very similar to another book....
First things first, I have not read this book.
I was at the library today and picked it up. While reading the inside cover, I was overcome with a "haven't-I-read-this-before type feeling." The premise of the book is alarmingly similar to Miranda Beverly-Whitmore's "The Effects of Light"...down to the famous photographer's first name. Too many similarities for my liking.
Rating:  - Characters Hard to Believe
The main character is not developed enough to generate any real sympathy for her. The plot is superficial; there is no great depth or substance to it.
Rating: - Relationships are Never Black and White
I loved this book. Other reviewers have sufficiently explained the story line, so I will stick with what more of a thematic review. The overarching principle of the book is that there is no such thing as simple black and white (right/wrong, love/hate) in relationships. Life is nuanced, as are our decisions and motivations. It would be simple to write off Ruth as a horrible selfish mother who didn't love her daughter, but SHapiro avoided the easy, cliche characterizations and offered us a family ... Read More
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